club lonely back at with the acid banger backside and a rare matrixxman house cut! limited numbers act fast!

giallo disco dark overlord antoni maiovvi delivers a sprawling italo beast that will conquer all your inhibitions. on the flip, lucas savidis of the rattler proxy delivers a remix reminiscent of badalamenti on acid.

grandiose remixes des titeltracks des vielgelobten, neuen stimming-albums -alpe lusia- vom pampa-protagonisten robag wruhme, der den tune in ein tech-house-juwel verwandelt, und dem langzeit-gespann acid pauli & nu, das sich für eine deepere, hypnotische, fast gespenstische reinterpretation des einzigen albumtracks ohne einen echten groove entscheidet.

dimdj has no control over his life. machines, records and noise boxes took over years ago. this is more than confirmed by this 5-track journey from acid techno to the old-school electro and further to kuno’s dystopia, who delivers a complete acidic rework over ptn1.

and again - a fresh acid techno release outta space! this time: on the a-side you find the repress of the acid techno cracker from steve mills & dave the drummer licensed from wah wah 021 and an excellent new acid techno track is added on the b-side from steve mills & jack wax! don’t miss this one!

orbis x is a sublabel of orbis records and will be mainly focusing on softer yet often usable as dj material for the broader mass interested in electronic music. this sublabel is an extension of orbis records softer, more melodical and experimental side. music will be ranging from house, dub, chicago over melodic acid and even breaks. not any track makes it to this sublabel if it can’t stand on its own and stand the test of time!
already played & supported by laurent garnier, patrik skoog, marko nastic, jamie behan, patrick lindsey, martin landsky, ramon tapia, ...

unfashionable acid from boneless one.

tzusing returns to l.i.e.s. with his third and (final?) name out of place ep after two now sought after percusors leading up to this one. again we are not disappointed as the massive opener face of electric hits hard taking a typical breakbeat formula and adding some sort of bizarre ritualistic element like the zulu nation or george kranz in a ceremony at a steel factory. emotional eater slows the tempo down, but again the machines grind hard with tinges of acid, heavy rhythms and sparse vocals moving in and out, while the closer r is a stripped down beater made for mixing. top stuff from the in demand producer.

this is a tech-blues odyysesy, an introverts primal scream, where complex emotions and urges are vented and perfectly complemented by rathsmans explorations into the dark corners of electronic music. enjoy the journey. with the release only in the hands of a select few tastemaker djs, complex has been making waves at the recent miami winter music conference, receiving hands in the air welcomes and even a sit down ovation according to label boss damian lazarus. complex is set to be the first underground anthem of 2016. the release comes with two carefully chosen remixes. first up is swiss techno stalwart deetron, who steers the song into percussive acid oblivion while serge devant offers up his deep house expertise for a dramatic and driving offbeat cut. original and remixes receiving current support from jamie jones, skream, loco dice, maceo plex, joseph capriati, pig & dan, jon digweed, gorgon city, ame, laurent garnier, nicole moudaber, agoria, carl craig, tensnake, claude von stroke and macro carola

the second output of french producer sébastien bardy -floating birds- on numoment recordings. -floating birds- is a classic deep house track with a great arno e. mathieu remix. supported by : dvs1 (klockworks), karim sahraoui (transmat records), spencer parker (rekids), jane fitz, dj yellow, sébastien bromberger (modelisme), dj steef (retrofit)... « floating birds » long atmospheric intro with birds singing, deep and uplifting deep house cuts with classical tr 707, subtle acid bassline and a melodic pad that stays in your head. « floating birds (arno e. mathieu rn7 remix) » true to the arno e. mathieu’s productions, his remix is coming with a funk bass-line and additional cosmic melodies, bringing a soulful energy with organic textures, but keeping the electronic vibe from the main version.

real recognise real is what they say so this colaboration is no coincidence. ptx daddy frost teams up with hardworksoftdrink hardliners cédric dekowski & felix reifenberg., bringing you -forcer-. a quirky, acid filled funk flex for the whole family. on the flip side we ve got dietrich thilo with cedric dekowski. you better expect the unexpected. pushing boundaries and themeselves is what they do all day everyday...can t knock the hustle..

ltd nice price --- in 2006 a young unknown david e sugar rocked up at a greco-roman party armed with two nintendo gameboys and a guitar pedal and blew us all away with the ensuing hour of acid. the night was so legendary that he wrote a song about it for our new york soundclash a few weeks later: *oi new york, this is london, oi new york greco-roman soundsystem* … and, quite by accident, the record label was born. a little black round piece of history accompanied by remixes from skream, hot chip, ragga twins and jesse rose.

nice price deal !!! bld makes a short break for the extended versions series and presents sour cream ep. 3 heavy duty analogue and nasty acid cuts that won t appear on cassette and will be only available on wax. white label hand-stamped vinyl only release that includes an a4 card board insert designed by planet luke aka luca lozano. limited copies!

temples third release presents r wongs debut ep influenced by acid trance and new age. a record for self reflection.

the prolific producer shows he still has plenty of tricks up his sleeve across all four cuts and stitches in acid, jack and chicago styles with his own sense of charm. the kings comes hard and fast out of the blocks with big hits, wild synths and raved-up vibes that will have you punching the air. knowledge is another banger with powerful kicks and globular bassline run through with more ravey sirens, but this time is a little more haunted. crossing paths is all about a simple but effective bassline that bounces along and takes you with it in ways similar to an omar s joint, then wait is the most stripped back and mysterious of the lot with cosmic melodies panning about in a spacious and airy deep house groove. utterly timeless from start to finish, this is another massively effective offering from innershades.

released on damian lazarus highly acclaimed crosstown rebels imprint valor tells a deeply personal narrative for chilean born and berlin based producer/dj dinky, her sixth album acts as a pinnacle to her steadfast and illustrious career and brought on a momentous change to her personal journey. esteemed for her work on labels such as cocoon, ostgut ton traum, wagon repair, horizontal and visionquest, and dj residency at berlins infamous panorama bar for over a decade, dinky aka alejandra iglesias is a trained classical guitarist, singer and keyboard player. her voice is an anchor to valor, its crisp definition loaded with intensity. tracks such as the driving single casa called out by us giants npr for its gorgeously layered vocals and the fragile layers of guitar and synths on cuts like milk make bold unions between sublime house and techno electronics and dinkys live instrumentation

limited repress. following afriqua s first successful record on nilla, we are happy to present part 2 of the plus ultra ep. carrying on from where he left off, he delivers four more dancefloor rollers for all lovers of deep music and high quality production. highly recommended.

holger 10 introduces yet another new face to the ever growing label crew: chino has been one of the most busy live performers in poland for the last decade – playing all-hardware sets in clubs and at festivals on a weekly basis. his »hiss« ep is a true acid treasure and holgers most decisive step into proper club territory. worker and paper rider are two bass-heavy dancefloor belters, with strong kickdrums and synapse-tickling 303 lines. the flipside shows two more of chinos many facets: while 31.08. is a slow-burning dubtechno hypnosis, shifter closes the ep with moody electro. mastered by ruud lekx, also known as the legend that is rude 66.

andy hart returns after an almost two-year hiatus from the studio to release his first ep on the voyage imprint. following on from urulus greetings from namek, mistress in your mind is the sixth release and adds to a growing collection that already includes releases from harvey sutherland, m5k and ctepeo 57. mistress in your mind loosely stems from the intertwining influences of a love-induced delusion broken down over four tracks. hart draws sentiment from several aspects of his record collection, giving subtle nods to break beat, soul, acid and space-laden house.

straight, unadulterated, chi-town box jams from the mighty chris bam-bam westbrook! this is that 1988 flavour, raw acid, punishing drum machines, the unmistakable sound of warehouse parties, darkened dance-floors and smoke machines in overdrive. often imitated, never bettered, the real deal! one of many classics from bam-bam s impressive back catalogue give it to me is tough, sexy and jacking and still sounds like it weighs 1000 tons over 30 years (!) since its original release. reissued here in its original form on the westbrook label for 2016. fully licensed and remastered with the full consent of bam-bam / westbrook records. do not sleep on this chicago acid house killer - essential stuff!

four slabs of distortion-laced acid, electro, and techno from lse founder r gamble. featuring an excellent remix by diagonal / spectrum spools affiliate prostitutes... ltd to 300 copies

broken body is the follow-up to 2015s do it again single. this two-stepping banger is dripping with 90s retrofuturist sensualism, a heady and visceral latin jazz-tinged house track with a back beat guaranteed to get the dancefloor jumping. alister s trademark synth flourishes mingle with the vocals of returning collaborator rahan boxley, creeping into the mix with that repeating hook of jump on in, slim. when the beats are this infectious and the melodies are this strong, it s hard not to obey. on the flip side, you ll find the deep vibes of -ago-, an analog electronic freight train with a touch of acid mysticism, as well as -endgame-, an ethereal creeper replete with rolling arpeggios and drum machines. alister johnson is a staple of the toronto dj community and has commanded decks as far afield as the us, the eu, and south africa. his diverse production c.v. includes work for dinamo azari as well as the polaris-nominated zaki ibrahim. keep your ears on alister johnson, this is just the tip of the iceberg.

rave techno gambe & filled with acid banger.

brilliant double vinyl from electro - acid - to techno

msq 001 mysteriously divided into bright and dark sides of the universe. on the a-side (the bright one) you will find intergalactic jack groove represented by contra communem opionem aka cco (zurich) and made acid trip together with the cosmic rider andreas gehm (coln). the dark b-side accepts the challenge from imperfect planet s chastener umwelt (lyon) and a major black hole instigator moralez (st. petersburg). mastering is done on the international space station under the guidance of alden tyrell (amsterdam). annals of the universe available only in the form of a physical plastic 12 carrier in a limited edition of 300 copies.

introducing broken dreams, a new series of white label releases on rotterdam based pinkman label. first up is metropolis, who returns with four wave, electro and body music hybrids. a quartet of tracks that draw on lapien s diverse catalogue, this is undoubtedly some of his darkest music to date. acid, new beat and post-punk influences bubble and churn throughout. crisp beats crash, strings lament, vocals sigh and synth stabs squirm for an ep that refuses to conform to norms. a hoarse and harsh cry to open a new pinkman chapter.

aimes brings everything good to this release from sun-kissed synths to chimes lapping around your dancing feet, this sort of post-disco can be found on “pleasure cruise-. on the flip, “acid dreaming” is an electro- futurist vision of the journey beyond consciousness to realms unknown. out on the tugboat edit spin-off star creature.

techno? acid? house? land of dance has no borders. d marc cantu, andrew red hand and seixlack on work to remix the track of the canadian s artist also know as da goblinn.

in the wake of the album st germain released in 2015 and the two remix ep that followed on august 28, parlophone, the label of the parisian maestro of acid jazz , has just released a new ep . the program includes remixes of atjazz , terry laird and boddhi satva , but mostly dj deep and roman poncet ( here under his alias roman poncet ) , which create a real surprise

shit robot reunites with nancy whang for a sharp blast of raw-to-the-floor acid house - spencer parker bosses it on the remix, delivering a road-tested, siren-and-sub ‘workmix’ and dub that’s in the (red) zone.

muchias is a collaborative project from normals welcome co-founder nik kozub (the paronomasiac / shout out out out out) and modular synth artist borys (who has toured extensively supporting junior boys, and whose collaborations with junior boys’ jeremy greenspan have seen release on the jiaolong and hyperdub labels). brooding modular techno, acid, and a hint of new beat influence are all represented on this compelling 4 tracker.

hans berg and johanna knutsson return to the ufo station with their fourth release, a powerful trippy trip, through warped time and space. and guess who was waiting for them at the station? well,none other than fellow space traveller dungeon acid, who delivers a remix that just might knock your space pants off. the title track alien power is obviously inspired by the quantum fusion core phase shift warp power engine that drives the ufo station, a steady beat to keep you on the right side of the force, whereas the dungeon acid remix is a musical interpretation of the great warp speed interdimensional flux mishap of the year 2216. the track dubby is so named because it inherently describes the core feeling of the track! alien choirs and synched synths meet long delay lines in this dreamy piece.

reviously unreleased schizo post-punk/moogy folk score to 1983 british tv scouse-ploitation drama one summer (remember billy and icky?) from the vault of kate bush, serge gainsbourg and david bowie’s best-kept secret session man alan parker. inducing abject fear in protective parents and a street smart swagger amongst clued-up youths, this adaptation of a coming of age pastoral thriller by a reluctant willy russell broke new boundaries pinpointing a cultural teenage void between post punk activism and the acid house years while arguably giving thatcherite telly addicts a tiny kick up the arse. scored by legendary kpm/de wolfe library musician alan parker, this score retains a genre defying personality, pinpointing the stylistic essence of the era while successfully switching from barren rumble fish funk, pastoral moog noodlings, pentangular folk, 80’s post-punk rhythms with hints of dubby

gatefold 2x12 inch lp + download! psychedelic sound scapes, reverb and melodic vocals as well as a pulsating energy all that is the typical characteristics of solingen based quartett blackberries. since their debut music for the night was released in 2012 the band was touring across germany – amongst headliner shows and festivals, the musicians also shared the stage with acts such as imagine dragons, bastille, pond or toy. moreover they kept writing new songs, which will be released on their long awaited second record greenwich mean time. the double vinyl contains the matured blackberries sound. carefree 60s and neo-psychedelic combined with kraut rock, dark acid-folk and the very own blackberries touched melodies create a record full of atmosphere

the protagonists of the hot city orchestra a.k.a. einzelkind & simon birkenfeld don’t need much of an introduction. since 1998, the duo has been well known for widely acclaimed productions such as the observatory for infuse lately. the nine combines skillful composition with intricate vocals. a true headscrew so versatile that it can be integrated into the set at any part. minimalistic trippy techno, right to the point. aras labelhead andré galluzzi seamlessly continues as uncompromising as in his prior release mario on cocoon recordings. with the signature dna of the niine, andré’s remix enthrals with its compressed structure and crisp acid bassline. scattered modular sounds ensure a thrilling

album produce by joern elling wuttke (acid jesus, sensorama), remixes by tck! moscow domodedovo remix e.p. moscow domodedovo is the largest of the three moscow airports and the first single released from the current woog riots album alan rusbridger. next to the original version of the song the single includes two remixed versions by the appraised producer duo tuff city kids. tuff city kids aka gerd janson and philipp lauer, who are deeply rooted in the techno and house music scene, stripped down the woog riots song moscow domodedovo to a club worthy electro beat by adding a dark and creaky bassline and a classic 808 drum sound.

last year, edu imbernon & los suruba delivered cederron, an amazing original track with two awesome remixes from richy ahmed and lee van dowski. for this year, we have something even better. shadows of rigadon is a genuine proggy trip with a huge amount of musical layers, acid basslines and strong beats designed for special moments in your sets. for the remix we count on clarian and his delicate, deep and sophisticated way of understanding the electronic music. this release is a timeless work of art, trust us.

your silent faces second release – the first on his own label tethys records – continues the deep, brooding techno trajectory set by his first track on fiedeltwo, a place where arms bend backwards. title track red rain is urgent yet considered: subtle acid lines swirl and build against bright defined percussion while the bassline builds towards infinity. it reveals ysf’s inspirations from motorik music, early industrial bands like nitzer ebb and deep techno heroes including sandwell district and rrose.kleinian transform takes techno to a place where georgio moroder meets front 242 and basic channel, creating robotic space-tracks with dub disco melodies, insistent bassline and mighty crescendos. its a late night dancefloor track influenced by dj hell and francois k, but equally by coil and new order. scorched earth closes the red rain ep with a post–apocalyptic melancholy, a soundscape which nods to kraftwerk and boards of canada. this is the track ysf wants you to hear at the end of times, recalling the blistering winds of post-nuclear fallout: darkly spacious, with a questioning melody. the ep was mastered by keith tenniswood at curvepusher.

durch den subtilen akt einer akustischen trotzhaltung, die spürbar fehlt in der mehr und mehr konservativen und regelkonformen elektronischen musikszene, gibt der talentierte hamburger produzent & dj david august nicht nur sein debüt bei counter records (ninja tune), sondern signalisiert auch ein neues kapitel in seiner musikalischen reise, auf der er sich immer geweigert hat sich anzupassen. geboren in hamburg, lebt der 25-jährige künstler nun in berlin. er hat bisher bei verschiedenen labels veröffentlicht, u.a. den underground-kreativstätten innervisions und diynamic, er hat künstler wie max cooper und the acid geremixt und wurde auf den vierten platz als bester live-act 2014 und 2015 beim resident advisor-poll gewählt.

smart bar resident offers fresh dimensionality on his 3rd shot, for burgeoning pgh label. a funky, acid-infused, & incredibly danceable 4 tracks that includes both peak time & warm-up house chunes.

full color inner sleeve with 3d art by kanika tupathi. vivian is a great acid banger with high frequency jupiter 8 eruptions and a simple raga style melody. the b side a 16 and a half minute take from a live show at the magical alsisar palace in rajastan, india

bottenvikans silverkyrka is a northern sweden congregation that preaches through their machine music: acid techno infused with the message of infinity in the tradition of the swedish revival movement. in their first release “det stora uppvaknanet” (the great awakening), bottenvikens silverkyrka distributes their faith and hope that more people will be saved and make their own acid revival meetings. there are tracks for the acid baptism, communion and for the dance revival.

scoobs and the big doof were bored. scoobs remembered the acid bar in his pocket, halved it with his pal and the pair melted back into the sofa...

italian native, christian lisco is well known for having an extremely envious collection of vintage synthesisers and drum machines housed in his basement. it was there that four ridiculously special acid cuts that we are prone to immediately fall in love with on first reception. -your joy” which sees the collaborative efforts of singer, michael clifford, evokes the feeling of the early age of american house music. the next set of tracks were treated with a surrounding of acid basslines and heavy drums. mixed live and directly recorded to tape.

thrilling acid and laser techno by johannes albert under his hns-x moniker

welcome kerri chandler s kaoz theory imprint to our exclusive roster. kicking things off we have hot creations label boss jamie jones who storms back with yet another highly anticipated dancefloor focused release, the illicit behaviour ep consists of two originals and two remixes, delivering a diverse collection of tracks with a common theme for setting an infectious groove.

scienceofuse is a new electronic music label from ljubljana, slovenia. its purpose is to transmit futuristic frequencies by using the science of creation to transcend percieved limitations. connecting the advances in our culture and technology with the important lessons of visionaries that came before us. the label s first release, -responsible design- by veteran dj and expert knob-twiddler known as electronic badminton king (e.b.king for short) is an acid-tinged affair with a darkish early noughties electro vibe on the a-side, while the flip delivers an abrasive technoid banger coupled with a deeper floating acid cut.

my coward confessions
of cupidity and sin.
my red blooded eyes,
murders of innocence.
wash away my stains,
pour some acid rain.